Remotion

The subjects in this triptych are lost; their transfixed silhouettes indicate a removal from their surroundings and an absence from the present. Their faces are hollow and empty and their bodily gestures convolute through the sculptural translation of these truly modern gestures. The landscape of the tableaux is sparse and barren, a fiction that forces engagement with the subject, more of a representation of reality, incidental and formal. However it is not the figures that we are really looking at here as we confront ourselves through this reframing of the familiar where photography functions as a distorted mirror.